The 15 Neoclassical Buildings Every D.C. Resident Should Know | Polyurethane Fireplace Frame

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An 18th-century French crystal chandelier crowns the dining room of this New Orleans townhouse, where designer Nicky Haslam added a carved-and-painted trellis pattern dado. The 18th-century wood columns at the entrance have been marbleized by decorative painters Chris and Paul Czainski. The table is surrounded by 20th-century chairs that came from a restaurant in Toulouse, France; a papier-mâché mirror, originally made as a stage prop, hangs nearby.

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The hallway, parlors and dining room shimmer with a unique, luminous finish that Guy developed. To achieve it, the plaster on walls and ceilings had to be removed and replaced with an extremely smooth drywall finish, over which an oil-base, satin-finish paint was sprayed to create a polished-stone effect.

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All is ready. The beam is cut and mortised. The posts to support it are erected. They hoist the beam with collective grunts. The posts accept the load. The timber slides into place and the client Susan asks them to wait. A snapshot is in order. She rushes inside and returns with a camera. They are wearing their gunslinger’s belts again, big hammers hanging from their hips. Richard wears a new pair of suspenders, which Alex told him to buy for the sake of modesty, for proper elevation of the pants. The camera is aimed. The builders of houses turn and grin from their perches. Richard Gougeon raises his framing hammer high over his head. "This is my best pose, right here," he explains. "When I’m swingin’ my hammer."

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