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Even furniture was custom-built for the home. There are massive, rustic cabinets designed to fit snugly into niches, and a dining set that seats eight. The Banys family negotiated to keep these pieces because they suit the home so well.

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Next we added baseboard trim that we had leftover from another project around the bottom of the cabinet to give a look and feel of an actual built-in, even though it’s free standing. And lemme tell ya – the magic of caulk – it hides all errors, especially if corners didn’t quite line up.

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"A lot of these old roofs were way underbuilt," says Richard, restorer of old houses. "Not this one, though. And this house is framed to the thirty-second of an inch, right to the ridge."

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It is accessible nowadays regardless of your location. The custom made Snap-On Smile is fabricated in as little as 2-3 weeks. Brush twice daily for two minutes at a time and not for 10-20 seconds, as so many Palos Verdes residents do.

The restaurant/tavern occupies three buildings and has 6,295 square feet of floor space, which makes it among the largest such establishments we have visited. Additionally, customers have their choice of decks in clement weather. Choose from one with a fireplace facing busy W. National Ave., or climb the stairs at the north end of the complex, and head up to the roof, overlooking a newly busy S. 5th St. from atop the one-story cinderblock industrial structure at 730 S. 5th St. built in 1947 on the site of what had been a couple of frame houses.

Use neutrals as your foundation, she said, and then build on that with accent colors. When Ms. Rosenthal decorated a home in Southport, Conn., for a client who planned to rent it out, she used modern furniture in white, leather and wood, and accessorized with “big, happy art,” throw pillows and colorful vases and bowls.

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Three years ago, he changed course once again, stepping back from his agency, Bureau Central, and starting anew. This fall, Objet Singulier — Van Gend’s line of sculptural lacquer jewelry — will debut at Le Bon Marché in Paris and at Matches Fashion in London. The collection of brass and wood lariat necklaces and cuffs, glossed in shades of shell pink, evergreen and Mediterranean blue, represent a ‘‘reflection of nature’s primeval beauty,’’ says Van Gend, who was inspired by the architecture of the natural world: the sheer edge of a cliff, the slickness of wet rocks. He manufactures his designs in a small village near Saigon in an old-fashioned workshop that employs 200 of the country’s top artisans. There, they apply 18 layers of lacquer to a single piece of jewelry, which takes an average of two months to complete. Van Gend says he is among the first in contemporary design to use this laborious technique — usually reserved for trays, bowls and other traditional handicrafts. ‘‘I like to align opposites,’’ he says. ‘‘The goal and challenge in my work has always been to make different ideas exist harmoniously.’’