Dougong: Revival of an ancient building technique | Waterproof Pu Corbel

Jim arises near dawn. Just as his favorite weatherman, over in Albany, promised, the sky out the windows looks perfectly clear. While his house is quiet, just to prove he isn’t nervous Jim sits in his kitchen and reads a chapter of his current novel. Then he slips the framing plan into his leather case and hits the road.

At a bar in Northampton, after work, Jim goes over the last change orders, trying to tie up loose ends for a last meeting with Jonathan. He wonders if he should exaggerate the costs of some of those changes, in order to gain leverage for bargaining. He shrugs. "I don’t have a strategy. I’m just doing it for what it cost us." The endeavor takes Jim back through all of his old yellow pads. His attention wanders. "I’ve really been thinking about the issue of the art versus income," he says. "I guess I realized this summer that I’m not willing to trade it. The art."

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"Look at it this way, too," Richard says. "We made three thousand dollars on that house. I don’t know how much you should make on a house like that."

Here is a preview of the other homes on the tour. (A fifth home may be added; see slorotary.org for information.)

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They get used to seeing Judith regularly but for now usually just in passing. Jonathan they see less often. Once, after they spend most of a day working in the rain, Florence Wiener invites the damp, muddy crew into her kitchen for coffee, and they come away murmuring about Judith’s mother’s graciousness and wit. The person they see most often is Judith’s father, Jules. He drops by nearly every day and stays a while.